Blackhole Reverb App Reviews

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Didn’t hold anything back. I’ve demoed the desktop version of this plugin and now regret not buying the desktop version when it was $29. That’s just because it’s so nice I now want it on my comp as well. I’m amazed that this iOS (iPad) version is just like the desktop version without limiting any features. Other music apps tend to give a very slimmed down version for iOS. That’s not the case with this. The new iPad Air is powerful enough to run it in Cubasis without cpu overload. It’s the best space modulated reverb I’ve heard. I have some of the others. The standalone app works great too and the knobs and sliders are big enough to adjust on the fly like when playing live. It’s actually nicer to use on iPad then on the comp for this reason, the big slider at the bottom that can automate several knobs at once is really nice and easy to use live. This could be the future of audio on iOS if other plugin developers see the potential and follow suit. There’s no need to slim down the plugins because the latest iPad/ iPhone devices are powerful enough to run the full version like the desktop. I’m really happy Eventide sees this and made it available.

THE WHOLE 90’S IN AN APP. would i exaggerate no i would not, rude to suggest it. the ‘10’s never knew what hit them. grunge is back, screenshot me.

Bug fix needed. Usually works very well, but is having this error with GB not recognizing it, says I don’t have it install. Please fix and I’ll change to 5 stars :D

Gimmicky sounds..... I thought for sure I could get like the very best Plate reverb or any kind of beautiful rooms and halls....nope....everything sound has attached to it some kind of fart or thronk or burp....regret buying.

A letdown. wanted some good rooms and plates but all these presets sound the same. Big meh

Awesome sound, unusable live w/o updates. I was super excited when this was released on iOS and I absolutely loved the plugin. It sounds amazing...but I can’t use it live at all because it crashes way too often (like every 10 minutes). I use Bias Mobile and ran Blackhole as IAA. It glitches up, sometimes making a squealing sound, often just completely cutting out. I have to pull it out of the chain in Bias and then restart Blackhole, but it usually happens again shortly after. I contacted support who said they’re working on fixing some bugs, but offered no timeline to update. I was so happy when I heard this plugin, which makes it hurt worse that I can’t risk using it live now. ☹️ Hopefully it becomes more stable soon.

Just do it. Awesome effects and interface

Outtasite!. This was just on sale (macOS/sit down version) a couple months back and I bought it and it works great with my current work-flow. There is quite a “shoot-out” for iOS/auv reverb plug-ins occurring right now and I’ve been on the fence for ... a year? Or more? I have zero reverb, AUFX space, and Virsyn’s AudioReverb but am not sure which of the newer reverbs to put money on as I’m sure they all sound great. So I guess what I’m saying in my out of place ramble is this: Black Hole was for me a no-brainer even though it was not, by any stretch, part of the budget. It’s a great plug in by who? Eventide?? Only the most highly acclaimed effects manufacturers EVER! What a great time we are in, right?! Few thousand dollars worth of code parked in my device that’s as thick as a small stack of papers. •Lets Move Ahead• I am glad (to put it mildly) I am F’N TOTALLY STOKED that all these companies can find new/untapped revenue by porting their code to iOS for “mobile-musician” gathering of money but before the applause fades why not completely WOW us with a NEW iOS gizmo or... or....an iOS patchable Ultraharmonizer. Or something completely undone yet. Contact me. Thank you.

Not loading in Cubasis now. Love this app, but it won’t load in Cubasis now without deleting and reloading. This is the case in insert and send positions. Thx

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Fantastic! Raises the bar on iOS!. Simple, easy to understand, sounds great and fantastic support! Eventide is here to rule!

Sublime.. This has to be at or very near the top of the list of greatest virtual reverbs ever created. It can add an otherworldly harmonic “breathing” to whatever you run through it, but if applied intelligently, always sounds musical. Never too saccharine like a number of algorithmic reverbs can be when set to stun.

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